About
I see patterns. I make connections. I go deep, creatively, emotionally, intellectually, spiritually, strategically. I connect what is disconnected. Better decisions. Better results.
David J. Adams
Founder, Great Voyageurs Creative Studio
I'm David J. Adams. Founder of Great Voyageurs Creative Studio.
I've worked across startups, community health, government, technology, hospitality, marketing, film, television, and publishing, at scales from a napkin sketch to a national initiative. That range is the engine. It's what lets me see the link between things that live in different worlds, carry the vision and do the unglamorous work that makes it real, and walk into an unfamiliar room and find what's actually going on.
The methodology underneath it is one I've built over more than two decades. I call it Inside Out: working from inside the actual human experience, outward into form. The domains keep widening. The approach stays the same.
For more than twenty years I've parachuted into unfamiliar situations, read the vision and the politics and the people, found the pivot, connected the right players, and done the work that turns intent into something real. I've run organizations, seven departments, millions in budget, dozens of staff, through growth and upheaval. I built a 300-partner network from a napkin concept. I took a stalled platform to the federal cabinet level in five weeks.
I also write and create. A slate of original IP in film and television in active development, an animated feature, multiple series, original scripts. Audio plays broadcast on the CBC and on DeutschlandRadio Berlin. Co-author of the bestselling children's books Good Night Vancouver, Good Night Canada, and Good Night Vancouver Island, and creative consultant on Good Night Ontario.
The two halves are one skill. A health program or a television series, it's the same move: find what's disconnected, and connect it, with structure, depth, and care.
One track is the work with others: organizations, products, programs, strategies, creative projects. Find the gaps, build the fix, make the thing matter to the people it's for.
The other is the studio's own film and television, developed from the inside out. The Slate.
Same method, different canvas. In both, one question: what's trying to emerge here, and what does it need to become real?
Let's solve what's in the way.
Let's Close the Gap.